Sara, written and directed by Chellakutty, is a drama set against the backdrop of a construction company. Sakshi Agarwal plays the titular role, and the director himself appears in the second half with an important twist. The film brings together a mix of comedy, emotion, and sentimental moments, supported by a cast that includes Yogi Babu, Robo Shankar, Thangadurai, Mirattal Selva, and Ambika. Music composer Karthik Raja adds emotional weight with a mother-sentiment song that is expected to connect well with the audience.
The story follows Sara, who works in a construction company where her lover and fiancé of six years also works in the same company. He sacrifices his wealthy background for her, and with family approval, they decide to marry. However, misunderstandings and repeated obstacles begin to threaten their relationship. At the same time, the workplace features comedy characters played by Yogi Babu, Robo Shankar, and Thangadurai, though the humour does not appear as frequently as expected. Conflict grows when Sara faces company-related issues involving Mirattal Selva.
The film takes a turn in the second half with the entry of Chella, played by the director himself. Chella works as a labourer in the same company and develops a friendship with Sara. In their childhood, he sacrifices his education for her, and their connection becomes a major point in the plot. After a year, Sara rises to a higher position in the company, while Chella continues as a labourer. A key emotional moment arrives when Chella’s mother, played by Ambika, meets Sara after an accident and wishes to make her the daughter-in-law.
The central tension revolves around whether Sara will choose her fiancé or Chella. While the emotional angle is strong, Chella’s characterisation feels exaggerated at times. His dialogues and body language are overdone, creating a slightly annoying effect in some scenes. If this had been toned down, the film’s presentation might have felt more natural and balanced. The visual presentation also includes the director’s personal admiration for actor Vijay, shown in ways that feel unnecessary and slightly awkward.
Performances are mixed. Sakshi Agarwal looks elegant on screen, and her presence carries the film, though she has not dubbed for herself, which avoids the distraction of her North-Indian accent. Ambika delivers a clean, heartfelt performance and shines in her emotional sequences. The comedians, Yogi Babu, Robo Shankar, and Thangadurai, are present but do not offer as much humour as expected. Technically, the film has a simple making style, and while the story has emotional potential, the uneven character treatment and exaggerated moments reduce its overall impact.
